All George Price Boyce.RWS Oil Paintings

1826-1897 English painter. He was the son of a prosperous wine merchant and pawnbroker. His childhood was spent in London, and in 1846 he was apprenticed to the firm of architects Wyatt & Brandon, where he remained for three years. He was always fascinated by ancient buildings but gradually lost interest in architecture as a career. In 1849, perhaps as a result of meeting David Cox at Betws-y-Coed (Gwynedd, Wales), he decided to become a painter. In the early 1850s Boyce drew landscape and architectural subjects with a fluent watercolour technique derived from Cox. In 1854 Boyce made an extended journey to Italy; he painted views of buildings in Venice and Verona, which were commended by Ruskin, and semi-abstract twilight studies
 

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George Price Boyce.RWS Black Poplars at Pangbourne (mk46) oil on canvas


Black Poplars at Pangbourne (mk46)
Black Poplars at Pangbourne (mk46)
Painting ID::  26003
  1868 Watercolur 36.8x53.3cm
  1868 Watercolur 36.8x53.3cm

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George Price Boyce.RWS Night Sket ch of the Thames near Hungerford Bridge oil on canvas


Night Sket ch of the Thames near Hungerford Bridge
Night Sket ch of the Thames near Hungerford Bridge
Painting ID::  28008
  c 1866 Watercolour,22.2 x 33.6 cm(8 3/4 x 13 1/4 in) Tate Gallery London (mk63)
  c 1866 Watercolour,22.2 x 33.6 cm(8 3/4 x 13 1/4 in) Tate Gallery London (mk63)

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George Price Boyce.RWS Elgiva oil on canvas


Elgiva
Elgiva
Painting ID::  73740
  oil on canvas Private Collection Date 1855 cyf
  oil on canvas Private Collection Date 1855 cyf

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George Price Boyce.RWS At Binsey near Oxford oil on canvas


At Binsey near Oxford
At Binsey near Oxford
Painting ID::  95028
  A"t Binsey, near Oxford" (1862) by George Price Boyce, watercolour and ink on paper, 31.1 x 53.7 cm. cyf
  A"t Binsey, near Oxford" (1862) by George Price Boyce, watercolour and ink on paper, 31.1 x 53.7 cm. cyf

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     George Price Boyce.RWS
     1826-1897 English painter. He was the son of a prosperous wine merchant and pawnbroker. His childhood was spent in London, and in 1846 he was apprenticed to the firm of architects Wyatt & Brandon, where he remained for three years. He was always fascinated by ancient buildings but gradually lost interest in architecture as a career. In 1849, perhaps as a result of meeting David Cox at Betws-y-Coed (Gwynedd, Wales), he decided to become a painter. In the early 1850s Boyce drew landscape and architectural subjects with a fluent watercolour technique derived from Cox. In 1854 Boyce made an extended journey to Italy; he painted views of buildings in Venice and Verona, which were commended by Ruskin, and semi-abstract twilight studies

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